Letters of Hadrat Ali Murtaza
Catalog Number: 25531 89268

Download Book

*Supported Devices Windows PC/PocketPC, Mac OS, Linux OS, Apple iPhone/iPod Touch.
# of Devices Unlimited

Letters of Hadrat Ali Murtaza


  • Rating: 3/5 9195 | Register or sign-in to rate and get recommendations

    The original title of the book: Letters of Hadrat Ali Murtaza
    By: Unknown
    Page 112
    Genre: Literature Fiction
    Language: Unknown
    Publisher: Kitab Bhavan
    Format: pdf doc docx mobi djvu epub ibooks (*An electronic version of a printed book that can be read on a computer or handheld device designed specifically for this purpose.)

    Belongs to a period, which was precarious in the Islamic history, when it was full of turmoil and trial.


    The message text:

    Other book:

    The Life of Michael Angelo
    Romain Rolland Excerpt from book: II SHATTERED STRENGTH Roct' 6 l'alta cholonna.1 Michael Angelo terminated this herculean task, glorious but shattered. Through having to hold his head thrown back for months, whilst painting the ceiling of the Sistine Chapel, " he injured his sight to such an extent that for a long time afterwards he could neither read a letter nor look at an object unless he held them above his head, in order to see them better." He himself joked about his infirmities : " Labour has given me a goitre, as water does to the cats of Lombardy . . . My stomach points towards my chin, my beard turns towards the sky, my skull rests on my back and my chest is like that of a harpy. The paint from my brush, in dripping on to my face, has made a many-coloured pattern upon it. My loins have entered intomy body and my posterior counterbalances. I walk in a haphazard manner, without being able to see my feet. My skin is extended in front and shortened behind. I am bent like a Syrian bow. My intelligence is as strange as my body, for one plays an ill tune on a bent reed."3 1 "Poems," i. Vasari. 3 " Poems,"ix. (See Appendix, ii.) This poem, written in the burlesque style of Francesco Berniand addressed to Giovanni da Pistoja, is dated by Frey June- July 1510. Michael Angelo alludes in the final lines to the difficulties he has encountered in painting the Sistine frescoes, and he makes excuse for them on the ground that this is not his profession. " Therefore, Giovanni, defend my dead work, and defend my honour : for painting is not part of my business. I am not a painter." We must not be deceived by this good humour. Michael Angelo could not endure being ugly. To a man like himself, appreciating physical beauty more than any one, ugliness was a disgrace.1 We find traces of his humiliat...